A story of craft, family and provenance

1960s

In Delhi, a young art student named Lakshmi discovered woodblock printing, a craft central to India's craft revival movement gathering momentum in the decades after independence. The beauty of this craft stayed with her long after she finished her studies and returned to her hometown of Bangalore. This inspiration would take root in a quiet, tree-lined Bangalore studio, growing into a sanctuary for heritage craft.

1970s

Under the mentorship of Smt. Kamaladevi Chattopadhyay, a pioneer of India's craft revival, Tharangini's foundational practice took shape. Master artisans from the All India Handicrafts Board began visiting the studio,staying in our family home, bringing with them techniques passed down through generations. Many came from Varanasi, long home to India's finest silk weaving traditions, a natural fit for Bangalore, itself known as the silk hub of India.

Late 1977

Tharangini was formally established in 1977, beginning in a small garden shed that was an extension of the family home. With a handful of dedicated artisans, the studio printed intricate silk saris using finely carved teakwood blocks. Lakshmi traveled across India, visiting studios and artisans, and building what would become an archive of rare woodblock prints. Lakshmi’s husband Srivathsa, an engineer by trade, always encouraged her entrepreneurial dreams.

1980–2000

As the wider textile industry moved toward faster, synthetic production, Tharangini chose to stay true to its roots. Bangalore's own transformation into a technology hub reshaped the city rapidly, and its once-thriving silk ecosystem began to diminish, with fewer artisans in the city continuing the trade.

2007

After two decades in corporate tech in the US, Lakshmi's daughter, Padmini Govind, returned to Bangalore to lead the studio forward. Under her, Tharangini expanded its reach and diversified into new product categories, moving past silk sarees alone. The strength of its foundations, and the dedication of its artisans, allowed the studio to adapt with agility even as markets around it changed.

Present

As a fourth-generation Bangalorean, Padmini's goal has been to sustain the city's urban handcraft ecosystems for the next generation. Even today, Tharangini runs as a fair-trade, women-led studio from that same sylvan garden estate where it began, home to a dedicated team of skilled artisans. The future of Tharangini lies in the hands of next.

Meet the
Artisans

Meet the artisans shaping Tharangini’s legacy

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